Let Her in to Greet Her King
INTRODUCING: FIORDMOSS (Berlin, from the Czech Republic)
When fire stroke in their shared apartment burning down Roman’s record collection and Petra’s guitar, the fellow art students did the most reasonable thing they could in that situation – they formed a band. Ten years have passed, during which Fiordmoss expanded twice, released two acclaimed EPs, moved countries and eventually brought out their long-awaited debut. Many things have changed, but two essential aspects remain: A pensive sadness, for which they have been labelled as “Nordic” sounding long before a Norwegian joined the band, and entrancing visuals stemming from their art school background.
The nordic connection is somewhat accidental. The name Fiordmoss relates to nature in a broader sense, it should convey the desire to maintain a connection with the fiords, the moss and other parts of the natural environment. The band members say didn’t put any conscious effort into sounding Scandinavian and they presumably didn’t insist on their drummer being Norwegian either. As Petra notes in an interview, someone labelled them as “Nordic” at some point and others have been repeating it ever since – so that they sometimes get introduced as Scandinavian.
Petra Hermanová and Roman Přikryl met studying video art and intermedia in Brno. Both were already involved in music making at the time: Roman was producing electronic music and Petra was part of an acoustic duo Siren (with the singer Markéta Irglová). It was in 2008 when fire damaged their student flat and sparkled a creative impulse to make music together. Two years later Fiordmoss stormed the Czech music scene with their first EP titled Gliese. Guitarist Jan Boroš joined the band on tour promoting the EP and ended up becoming a full member. The trio released a second EP Ink Bitten in 2012 and relocated to Berlin that same year. Having moved countries, the band evolved further: Jon-Eirik Boska on drums completed the band’s current lineup. Petra met him a year prior when attending the Redbull Academy Music in Madrid.
Fiordmoss inhabit a universe of their own. Not just because their sound and aesthetics radiate a distinctive charm, but they keep their own pace, too. The duo-turned-trio-turned-quartet take it slowly, they were never in a rush to capitalise on the potential this project clearly had from the get-go. The band took nearly a decade to deliver their first full-length album, Kingdom Come was released in October 2017. Several years too late, some reviewers cried – but didn’t have much else to reproach. A carefully woven web of subtle layers
The band’s music videos extend the hypnotic experience into the visual realm. Madstone takes the viewer into the outskirts of Berlin, where lovers fail to find another in the darkness of industrial wasteland. In contrast to the cold hues of
Fiordomoss run their own label Fathermother which is an art collective in a broader sense. Last year, they organised an exhibition in Kaple Gallery in Valašské Meziříčí, Czech Republic.
Europe is easy to travel but her cultures are hard to access if you don’t speak respective national languages. On similar grounds, it is not easy for musicians to reach listeners beyond their country of origin. Visions of Zhiva is an English speaking zine presenting artists from Central Europe to broader audiences.
Zhiva is the anglicised spelling of the name Živa (also Živena, Siwa). The Slavic goddess of life and fertility was worshipped in the region of today’s Poland, Germany, Czech Republic and Slovakia before the arrival of Christianity.